Getz/Gilberto by Stan Getz & João Gilberto
Released in: 1964
Genre: Bossa Nova & Jazz
Released in: 1964
Genre: Bossa Nova & Jazz

It's 1961, and Jazz is losing the popularity war in America. Rock 'n' Roll has taken Swing's spot at the top of the Billboard top charts, with only a few hanger-ons managing to get a hit through the barrage of catchy, poppy Rock Around the Clock and Heartbreak Hotel.
Meanwhile, saxophonist Stan Getz has just gotten a visit from his friend, bassist Don Payne, who had returned from a trip to Brazil. Getz was of the opinion that a craze for innovation had turned Jazz into pompous, complex, chauvinistic egomania. The genre, he said, needed a breath of fresh air.
So when Payne showed Getz the collection of records he'd brought back with him, all featuring this new, exciting musical style, one that joined the danceability of samba with the subtlety of American cool jazz, Stan Getz was immediately taken by this new groove, the so-called “new wave”—Bossa Nova.
Immediately after, in 1962-63, he would record three albums in the style, covering songs from the Brazilian records. The albums were a hit—the first one, Jazz Samba, was a №1 pop hit, and quickly sold one million copies. They were, however, pale imitation. Though they may have occasionally featured some Brazilian musicians, Stan Getz and, most importantly, Creed Taylor, his producer, wanted an album that was a true “historical documentation” of Bossa Nova, and for that, they'd need the pioneers of the genre, the people behind the songs they'd been covering. Those men were João Gilberto and Antônio Carlos Jobim.

The recording was not without its troubles. Certain stylistic differences, such as Gilberto's minimalist playing vs. Getz's penchant for impactful sax solos, led to many disagreements. At one point, Gilberto is said to have said to Jobim, who was working double-time as their interpreter: “Tell this gringo he's an idiot.” Jobim turned to Getz, and dutifully translated: “Stan, João is saying that his dream always was to record with you.”
Still, the record came out, and became so successful as to forever shape the world's understanding of Brazilian music. To put it into perspective, the LP occupied the №1 spot on the Billboard album charts for 96 consecutive weeks, with only the Beatles' A Hard Day's Night being able to knock it off.
Ipanema is a famous neighbourhood and beach in the city of Rio de Janeiro.
Jobim had to fight to keep the reference in, as lyricist Norman Gimbel, who
wrote the English portion of the song, thought the word would mean nothing
to American audiences and harm the song's popularity.
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A slight change of pace
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Intro sung by Astrud Gilberto. The Corcovado is a mountain in the city of Rio
de Janeiro, famous for the statue located at its peak, Christ the Redeemer.
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